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Cahill Lectures And Papers
CLP 1
CLP 2
CLP 4
CLP 5
CLP 6: 1982
CLP 6B
CLP 7 1983
CLP 8: 1985
CLP 9
CLP 12: 1989
CLP 13: 1990
CLP 14: 1990
CLP 15: 1991
CLP 16: 1991
CLP 17: 1994
CLP 18: 1994
CLP 20: 1995
CLP 21: 1995
CLP 22: 1995
CPL 25: 1997
CLP 26
CLP 27 1997
CLP 28: 1998
CLP 29: 1998
CPL 30: 1999
CLP 31: 1999
CLP 32 1997
CPL 33: 1999
CLP 34: 1999
CLP 35: 1999
CLP 36: 1999
CLP 36 1999
CLP36a
CLP 37: 2000
CLP 38: 2000
CLP 40
CLP 41: 2000
CLP 42: 2001
CLP 43: 2001
CLP 44: 2001
CLP 45: 2001
CLP 46: 2001
CLP 47: 2001
CLP 48: 2001
CLP 50: 2002
CLP 53: 2002
CLP 54: 2002
CLP 55: 2002
CLP 59: 2004
CLP 60: 2004
CLP 61: 2004
CLP 62: 2004
CLP 63
CLP 64 1976
CLP 64: 1976
CLP 65 1977
CLP 69 1984
CLP 70: 1986
CLP 71: 1986
CLP 74: 1989
CLP 75: 1991
CLP 76 1991
CLP 77: 1994
CLP 79: 1995
CLP 81: 2002
CLP 82: 2005
CLP 83: 2005
CLP 84: 2005
CLP 85: 2005
CLP 87
CLP 87: 1983
CLP 88 1984
CLP 89
CLP 91: 1992
CLP 92: 1993
CLP 93
CLP 93: 1996
CLP 95: 1963
CLP 97: 1979
CLP 98: 1987
CPL 99: 1988
CLP 101: 1985
CLP 102: 1989
CLP 103: 1990
CLP 104: 1990
CLP 105: 1990
CLP 108: 1992
CLP 109 1992
CLP 112: 1993
CLP 113: 1993
CLP 114: 1994
CLP 115: 1995
CLP 117: 2005
CLP 118: 1990
CLP 119 1999
CLP 120: 1995
CLP 123: 1996
CLP 137B
CLP 148
CLP 151
CLP 151A: 1972
CLP 155: 2006
CLP 156: 2001
CLP 157: 2006
CLP 158: 2006
CLP 159: 2002
CLP 160: 2005
CLP 161: 2005
CLP 162: 1989
CLP 163: 1992
CLP 164: 1990s
CLP 165: 1992
CLP 166: 2004/2005
CLP 167: 2006
CLP 168: 1989
CLP 169: 198?
CLP 170: 1995
CLP 171: 1989
CLP 172: 2000
CLP 173 2004
CLP 174: 2002&2007
CLP 175: 1990
CLP176 2005
CLP177 2007
CLP178 2007
CLP 180 (1976?)
CLP 181 1992
CLP 183
CLP 184
CLP 186: 1985
CLP 187
CLP 188 (2005)
CLP 189
CLP 190: 1980
CLP 191: 1994
CLP 192: 1988
CLP 193: 1962
CLP 194
CLP 195
CLP 196
Women In Chinese Paintings
WCP 1
WCP1 Illustrations
WCP3
WCP3 Illustrations
WCP4
WCP4 Illustrations
WCP5
WCP5 Illustrations
WCP6
WCP Artists
WCP Bibliography
Beauty's Face In Later Chinese Painting
Responses & Reminiscences
1.Short Biography
2.Music A
3.Music B
4.Writing
5.Palace Museum Photographing, Exhibition, Post-mortem Symposium
6.My Studio Name, Ching Yuan Chai
7.Audience
8.Beginnings Of Collecting
9.Angry Response To Talk In Shanghai
10.Favorite Novelists
11.Norton Lectures And Harvard
12.Susanne Langer And Art Theory
13.Leaving Freer, Move To Berkeley
14.Early Western Collecting Of Chinese Paintings
15.Kawai Senrô, Nishikawa Nei
16.Tessai And The "No. School/So. School" Problem
17.On Artistic Quality
18.Meeting Karlgren, Introduced By Siren
19.Discovering Mizoguchi (and Movies)
20.Poetic Painting
21.Albert Skira And Chinese Painting
22.Nelson Wu
23.Wai-kam Ho
24.Fellowship At The Met 1953-54
25.Working For Sirén
26.Journey Home, Stockholm To D.C.
27.Some Things I Learned From Alpers And Baxandall
28.Koyama Fujio
29.Japanese Dealers
30.Missed Dylan Thomas
31.Growing Up Without Cultural Advantages
32.What Became Of The Contag Collection
33.Climbing Pukshan
34.Taking Chinese Paintings From Japan
35.The Great Buson Caper
36.Brundage Opening Symposium: Last Day
37.More On Avery Brundage
38. Viewing The Qingminu Scroll
39. Alan Priest And C. T. Loo
40. C. T. Loo And Chinese Paintings
41. Chiang Er-shih
42. Climbing Hieizan
43. An Alan Priest Story
44. Kawabata Yasunari
45. My Day With Ross Perot
46. What I Learned From Alpers, II
47. Chinese Ptg Collotype Reproduction Books
48. Aschwin Lippe
49. Music In Korea
50. My Partly-Botched Nanga Exhibition
51. Two Admonitory Notes On Chinese Painting Texts
52. Tessai, The Temple, And Three Bishops
53. How The Train Scroll Came Into Being
54. Ed Schafer And Three Chopin Barcarolles
55. Sôgenga: A Modest Exhibition, An Opportunity Missed
56. Dealers Who Don't Get Credit
57. A Day At Creeds
58. Altering Chinese Paintings; Walter Hochstadter
59. Two Famous Collector-Donors Whom I Didn't Like
60. Novelty And Romancement, Or, Less Bread, More Taxes!
61. On Compelling Titles And Bad Word Usage
62. A Collector I Did Like, And Why
63. On Useless Projects And Elaborate Pranks
64. Forbidden Words, Unfunny And Funny Movies
65. Doing Dumb Things And Calling It Art Is OVER!
66. Photolithographic Reproduction: A Ponderous Lead-up To A Sad Story
67. Ask Old People Things While They Still Can Answer!
68. Theodore Francis Green As A Collector Of Chinese Paintings
69. An Event Suspended Between Two Stories
70. Leonardo Olschki And Oriental Languages At Berkeley
71. Marrying Ray Schwartz
72. One Mag, Three Memories
73. Respecting China
74. Rokushô-yake: Green Pigment Burns Silk
75. Joseph Levenson's Role In My Development As A Scholar And Writer
76, Sir Ernst Gombrich As A Good Person
77. Remembering The Shih-t'ao Fund
78. A Somewhat Spurious Classic
79. Nancy Wilson Ross, Stanley Young, A Book And A Song
80. Stephen Green In My Life
81. Thoughts On The Death Of Salinger
82. Bill Crofut And Alistair Reid
83, A Miscellany Of Short Ones
84. This Is Humanities?!
85. My Stock Of Old Jokes
86. Thoughts On Kurosawa
CYC TIE
CYC TIE
Early Ch'ing1
Ch'ingA
Ch'ingB
Early Ch'ing2
CHPT21
CHPT22
CHPT23
Suzhou Women
PW Notes
Chang Ta-ch'ien's Forgeries
Images
Chang Ta-ch'ien's Forgeries
A Day At Creeds
A Day At Creeds
The Writings Of James Cahill
Cahill Lectures And Papers > CLP 4 >
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CLP 4: 1979
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