Home   |  About James Cahill  |  The Writings Of James Cahill   |  Contact  |  Site Map  |  Visit My Blog         Cahill Lectures And Papers CLP 1 CLP 2 CLP 4 CLP 5 CLP 6: 1982 CLP 6B CLP 7 1983 CLP 8: 1985 CLP 9 CLP 12: 1989 CLP 13: 1990 CLP 14: 1990 CLP 15: 1991 CLP 16: 1991 CLP 17: 1994 CLP 18: 1994 CLP 20: 1995 CLP 21: 1995 CLP 22: 1995 CPL 25: 1997 CLP 26 CLP 27 1997 CLP 28: 1998 CLP 29: 1998 CPL 30: 1999 CLP 31: 1999 CLP 32 1997 CPL 33: 1999 CLP 34: 1999 CLP 35: 1999 CLP 36: 1999 CLP 36 1999 CLP36a CLP 37: 2000 CLP 38: 2000 CLP 40 CLP 41: 2000 CLP 42: 2001 CLP 43: 2001 CLP 44: 2001 CLP 45: 2001 CLP 46: 2001 CLP 47: 2001 CLP 48: 2001 CLP 50: 2002 CLP 53: 2002 CLP 54: 2002 CLP 55: 2002 CLP 59: 2004 CLP 60: 2004 CLP 61: 2004 CLP 62: 2004 CLP 63 CLP 64 1976 CLP 64: 1976 CLP 65 1977 CLP 69 1984 CLP 70: 1986 CLP 71: 1986 CLP 74: 1989 CLP 75: 1991 CLP 76 1991 CLP 77: 1994 CLP 79: 1995 CLP 81: 2002 CLP 82: 2005 CLP 83: 2005 CLP 84: 2005 CLP 85: 2005 CLP 87 CLP 87: 1983 CLP 88 1984 CLP 89 CLP 91: 1992 CLP 92: 1993 CLP 93 CLP 93: 1996 CLP 95: 1963 CLP 97: 1979 CLP 98: 1987 CPL 99: 1988 CLP 101: 1985 CLP 102: 1989 CLP 103: 1990 CLP 104: 1990 CLP 105: 1990 CLP 108: 1992 CLP 109 1992 CLP 112: 1993 CLP 113: 1993 CLP 114: 1994 CLP 115: 1995 CLP 117: 2005 CLP 118: 1990 CLP 119 1999 CLP 120: 1995 CLP 123: 1996 CLP 137B CLP 148 CLP 151 CLP 151A: 1972 CLP 155: 2006 CLP 156: 2001 CLP 157: 2006 CLP 158: 2006 CLP 159: 2002 CLP 160: 2005 CLP 161: 2005 CLP 162: 1989 CLP 163: 1992 CLP 164: 1990s CLP 165: 1992 CLP 166: 2004/2005 CLP 167: 2006 CLP 168: 1989 CLP 169: 198? CLP 170: 1995 CLP 171: 1989 CLP 172: 2000 CLP 173 2004 CLP 174: 2002&2007 CLP 175: 1990 CLP176 2005 CLP177 2007 CLP178 2007 CLP 180 (1976?) CLP 181 1992 CLP 183 CLP 184 CLP 186: 1985 CLP 187 CLP 188 (2005) CLP 189 CLP 190: 1980 CLP 191: 1994 CLP 192: 1988 CLP 193: 1962 CLP 194 CLP 195 CLP 196 Women In Chinese Paintings WCP 1 WCP1 Illustrations WCP3 WCP3 Illustrations WCP4 WCP4 Illustrations WCP5 WCP5 Illustrations WCP6 WCP Artists WCP Bibliography Beauty's Face In Later Chinese Painting Responses & Reminiscences 1.Short Biography 2.Music A 3.Music B 4.Writing 5.Palace Museum Photographing, Exhibition, Post-mortem Symposium 6.My Studio Name, Ching Yuan Chai 7.Audience 8.Beginnings Of Collecting 9.Angry Response To Talk In Shanghai 10.Favorite Novelists 11.Norton Lectures And Harvard 12.Susanne Langer And Art Theory 13.Leaving Freer, Move To Berkeley 14.Early Western Collecting Of Chinese Paintings 15.Kawai Senrô, Nishikawa Nei 16.Tessai And The "No. School/So. School" Problem 17.On Artistic Quality 18.Meeting Karlgren, Introduced By Siren 19.Discovering Mizoguchi (and Movies) 20.Poetic Painting 21.Albert Skira And Chinese Painting 22.Nelson Wu 23.Wai-kam Ho 24.Fellowship At The Met 1953-54 25.Working For Sirén 26.Journey Home, Stockholm To D.C. 27.Some Things I Learned From Alpers And Baxandall 28.Koyama Fujio 29.Japanese Dealers 30.Missed Dylan Thomas 31.Growing Up Without Cultural Advantages 32.What Became Of The Contag Collection 33.Climbing Pukshan 34.Taking Chinese Paintings From Japan 35.The Great Buson Caper 36.Brundage Opening Symposium: Last Day 37.More On Avery Brundage 38. Viewing The Qingminu Scroll 39. Alan Priest And C. T. Loo 40. C. T. Loo And Chinese Paintings 41. Chiang Er-shih 42. Climbing Hieizan 43. An Alan Priest Story 44. Kawabata Yasunari 45. My Day With Ross Perot 46. What I Learned From Alpers, II 47. Chinese Ptg Collotype Reproduction Books 48. Aschwin Lippe 49. Music In Korea 50. My Partly-Botched Nanga Exhibition 51. Two Admonitory Notes On Chinese Painting Texts 52. Tessai, The Temple, And Three Bishops 53. How The Train Scroll Came Into Being 54. Ed Schafer And Three Chopin Barcarolles 55. Sôgenga: A Modest Exhibition, An Opportunity Missed 56. Dealers Who Don't Get Credit 57. A Day At Creeds 58. Altering Chinese Paintings; Walter Hochstadter 59. Two Famous Collector-Donors Whom I Didn't Like 60. Novelty And Romancement, Or, Less Bread, More Taxes! 61. On Compelling Titles And Bad Word Usage 62. A Collector I Did Like, And Why 63. On Useless Projects And Elaborate Pranks 64. Forbidden Words, Unfunny And Funny Movies 65. Doing Dumb Things And Calling It Art Is OVER! 66. Photolithographic Reproduction: A Ponderous Lead-up To A Sad Story 67. Ask Old People Things While They Still Can Answer! 68. Theodore Francis Green As A Collector Of Chinese Paintings 69. An Event Suspended Between Two Stories 70. Leonardo Olschki And Oriental Languages At Berkeley 71. Marrying Ray Schwartz 72. One Mag, Three Memories 73. Respecting China 74. Rokushô-yake: Green Pigment Burns Silk 75. Joseph Levenson's Role In My Development As A Scholar And Writer 76, Sir Ernst Gombrich As A Good Person 77. Remembering The Shih-t'ao Fund 78. A Somewhat Spurious Classic 79. Nancy Wilson Ross, Stanley Young, A Book And A Song 80. Stephen Green In My Life 81. Thoughts On The Death Of Salinger 82. Bill Crofut And Alistair Reid 83, A Miscellany Of Short Ones 84. This Is Humanities?! 85. My Stock Of Old Jokes 86. Thoughts On Kurosawa CYC TIE CYC TIE Early Ch'ing1 Ch'ingA Ch'ingB Early Ch'ing2 CHPT21 CHPT22 CHPT23 Suzhou Women PW Notes Chang Ta-ch'ien's Forgeries Images Chang Ta-ch'ien's Forgeries A Day At Creeds A Day At Creeds   The Writings Of James Cahill Cahill Lectures And Papers  > CLP 6: 1982  >  Increase Font Size CLP 6: 1982    powered by Digit Art Designs Ltd. 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