A collection of lecture texts, unpublished papers, papers published in hard-to-find places, earlier versions of writings later published, etc. Those with asterisks are available in digitized form. Nearly all are without illustrations: hard-copy ir digital text only. This list is in several parts, and chronological by year within each part. There are some overlappings and duplications, not many.
CLP 1: 1963. "Collecting Paintings in China." Article for Arts Magazine (written at their request.) See my Biblio. for 1963.
CLP 2: 1963. "Post-mortem Symposium on Palace Museum Exhibition." Not properly one of my writings, but abbreviated transcript of an event I organized, the first grand get-together of Chinese painting specialists, on October 4-5, 1963, to consider paintings that had been in the Chinese Art Treasures exhibition of 1961-62. (Most of the participants were in New York for the opening of the Crawford Collection exhibition at the Morgan Library.) Attached to it is a "Combined List" of opinions ("grades") on paintings in the CAT exhibition by specialists in the field to whom I had written asking for these. On the basis of this I chose controversial paintings to be discussed in the Symposium.
CLP 3: 1975. "New Light on Early Chinese Painting." Lecture at Nelson Gallery, Kansas City, on the occasion of a Chinese archaeology exhibition there, about how new finds, and paintings seen in China on our 1973 delegation, changed our ideas about the early development of Chinese painting.
CLP 4: 1978. "Awkwardness and Imagery in the Landscapes of Fa Jo-chen." Paper delivered at symposium on Chinese painting, Cleveland Art Museum, 1978; never published because editor of planned volume, Wai-kam Ho, never finished editing it. Would have been innovative in its time as example of how ptgs can be related to political/historical situations.
CLP 5: 1980. “Some Prolix and Commonsensical Remarks on Chinese Art Theory”. Discussant paper for conference at York, Maine, June 1980; papers published in Susan Bush and Christian Murck, eds., Theories of the Arts in China. (My text was included as Appendix D in “The Barnhart-Cahill-Rogers Correspondence, 1981.)
CLP 5: 1982. Discussant paper for Taniguchi Symposium on "Bird-and-Flower Motifs in Asia."
CLP 6: 1982. "Some Chinese Bird-and-Flower Paintings in Chinese Collections." Lecture given at Kyoto National Museum in connection with above symposium. Later published in abbreviated form in symposium volume (see my Biblio under 1983.)
CLP 7: 1983. "The Status of Writing in Asia." Discussant paper for College Art Assn. session of that title organized by Yoshiaki Shimizu and Shreve Simpson.
*CLP 8: 1985. "Opening Remarks" for College Art Assn. workshop on "New Directions in Chinese Art Studies," co-organized by Martin Powers and myself, Los Angeles, 1985. Cf. CLP 70: together on digital.
CLP 9: 1985. "Phases and Modes in the Transmission of Ming-Ch'ing Painting Styles to Edo Period Japan." In hard-to-find Hong Kong symposium volume; see my Biblio. for1985.
CLP 10: 1988. "The Scholar's Studio." Lecture given to accompany exhib. of that title at Seattle Art Museum, Feb. 1988.
CLP 11: 1989. "Chung-kuo hui-hua shih fang-fa lun" (Methodology in the Study of Chinese Painting.) Trans. of my "Introductory Remarks" for CAA session on "New Directions in Chinese Art Studies," 1985, cf. CLP 8, and discussant paper for "Chinese Landscape: Content, Context, and Style" session in CAA New York, Feb. 1986, organized by Jerome Silbergeld, cf. CLP 70. In: Chiu-chou, vol. 3 no. 1, June 1989; also? Duoyun #52, July 2000. Also combined English text used for this.
*CLP 12: 1989. "The 'Madness' in Bada Shanren's Paintings." Paper given at symposium on Bada Shanren, Nanchang, 1988; published in Asian Cultural Studies (hard-to-find journal) no. 17, March 1989.
CLP 13: 1990. “Gardens in Chinese Painting.” Lecture given for one-day symposium on Chinese gardens, Society for Asian Art, S.F., Feb. 1999. Cf. CLP 62: more or less the same.
*CLP 14: 1990. "Tang Yin and Wen Zhengming as Artist Types: A Reconsideration." Paper for Wumenpai Symposium, Palace Museum, Beijing; revised for publication in Artibus Asiae, 43, 1/2, 1993.
CLP 15: 1991. "Five Notable Figures in the Early Period of Chinese Painting Studies." Paper for College Art Assn. session organized by Jason Kuo, "Four Decades of Research on Chinese Painting in the West." Appended are three pages of notes for inserts, filling out the paper to lecture-length (for delivery to Society for Asian Art, S.F., May 6, 1991), dealing with other notable figures and issues in the field.
*CLP 16: 1991. "Chang Ta-ch'ien's Forgeries of Old Master Paintings." Paper delivered at symposium at Sackler Museum, D.C., Nov. 1999, on occasion of exhib. of Chang's paintings.
CLP 17: 1994. Commencement Address for Group in Asian Studies, UCB, May 21, 1994, with some methodological remarks.
*CLP 18: 1994. “A Foreigner Looks at Pan Tianshou.” Talk for Pan Tianshou Symposium, Hangzhou, Dec. 1994.
CLP 19: 1995. “Some Alternative Sources for Archaistic Elements in the Paintings of Qian Xuan and Zhao Mengfu.” Paper for Shanghai symposium on Zhao Mengfu, March 1995; later published, revised in Ars Orientalis (see my Biblio for 1998.)
*CLP 20 : 1995. Talk for Center for Chinese Studies, UCB, series of informal talks by Chinese studies faculty on methodological issues in their fields.
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